Exploring Arts & Culture

Collages

Toshiko Okanoue: Home in an Age of Fragmentation

by Micaela Brinsley

Garden

Paula Hayes’s First Public Garden Is 36 Minutes From Grand Central

by The AWT Editors

Light Installation

Grimanesa Amorós Makes the Light Palpitate, Like a Heart

by The AWT Editors

On America’s 250th Anniversary, Tracy Weisman Loves and Mourns Her Country at Once

by The AWT Editors

Light Installation

Grimanesa Amorós Turns a Site of Passage into Light

by The AWT Editors

On View

LéAna Clifton on Light, Motion, and Time

by The AWT Editors

Light Installation

Grimanesa Amorós Turns Light Into Performance

by The AWT Editors

Monsters

Sofía Moreno Regenerates the Women History Tried to Bury

by Alexia Marmara

Art Beyond Genius: On Claude Cahun and Marcel Moore

by Micaela Brinsley

Roxanne Wolanczyk on Aging Without Disappearing

by Lydia Nobles

Soft Sculpture, Hard Politics at Frieze Los Angeles

by The AWT Editors

Self-Portraits

Doors into the Present: Dorothea Tanning and the Art of Becoming

by Micaela Brinsley

Ovartaci and the Refusal of Fixed Identity

by Alexia Marmara

Sculptures, Spirits, and the Field of Life With Del Kathryn Barton

by The AWT Editors

When a Dream Becomes a Painting with Samantha Keely Smith

by The AWT Editors

When the Body Becomes Armour: soft weapons Challenges the Gaze

by Ryan Castle & Candela Cubria

Photomontage

On Grete Stern: Behind the Eye of the Camera

by Micaela Brinsley

Framed Lives: Patty Horing and the Psychology of Portraiture

by E.H. Murray

Autofiction

On Naudline Pierre: Rendering an Ephemeral Self

by Micaela Brinsley

Social Media, Addiction, and Laughter: Mieke Marple’s Latest Project

by The AWT Editors

Another Dimension

Sofía Bassi: Painter of Worlds Within Worlds

by Alexia Marmara

Wenhui Hao: On Bodies, Borders, and Being Understood

by The AWT Editors

Signs

Barbara Kruger: The Context of Text

by Micaela Brinsley

Hayley Youngs Paints the Divine Weirdness of Nature

by The AWT Editors