Light Installation

Grimanesa Amorós Makes the Light Palpitate, Like a Heart

The AWT Editors
America

On America’s 250th Anniversary, Tracy Weisman Loves and Mourns Her Country at Once

The AWT Editors
Light Installation

Grimanesa Amorós Turns a Site of Passage into Light

The AWT Editors
On View

LéAna Clifton on Light, Motion, and Time

The AWT Editors
Light Installation

Grimanesa Amorós Turns Light Into Performance

The AWT Editors
Monsters

Sofía Moreno Regenerates the Women History Tried to Bury

Alexia Marmara
Identity

Art Beyond Genius: On Claude Cahun and Marcel Moore

Micaela Brinsley
Aging

Roxanne Wolanczyk on Aging Without Disappearing

Lydia Nobles
Landscapes

Soft Sculpture, Hard Politics at Frieze Los Angeles

The AWT Editors
Self-Portraits

Doors into the Present: Dorothea Tanning and the Art of Becoming

Micaela Brinsley
Identity

Ovartaci and the Refusal of Fixed Identity

Alexia Marmara
Relationship

Sculptures, Spirits, and the Field of Life With Del Kathryn Barton

The AWT Editors
Dreams

When a Dream Becomes a Painting with Samantha Keely Smith

The AWT Editors
Body

When the Body Becomes Armour: soft weapons Challenges the Gaze

Ryan Castle & Candela Cubria
Photomontage

On Grete Stern: Behind the Eye of the Camera

Micaela Brinsley
Portraits

Framed Lives: Patty Horing and the Psychology of Portraiture

E.H. Murray
Autofiction

On Naudline Pierre: Rendering an Ephemeral Self

Micaela Brinsley
Social Media

Social Media, Addiction, and Laughter: Mieke Marple’s Latest Project

The AWT Editors
Another Dimension

Sofía Bassi: Painter of Worlds Within Worlds

Alexia Marmara
Female Body

Wenhui Hao: On Bodies, Borders, and Being Understood

The AWT Editors

A Women’s Thing

A Women’s Thing