Los Angeles-based fine art photographer Parker Day is one of the most original voices in the contemporary scene.
Karen Miranda Rivadeneira’s collection “Other Stories/Historias Bravas,” is an exploration of the relationship between photography and memory.
An Italian-born artist Maïmouna Guerresi explores cultural diversity, Islamic spirituality and mysticism, and the roots between mother and child.
In her photo series “Monankim,” Nigerian photographer Jenevieve Aken captures the entry into womanhood as experienced through the women of the Bakor people.
In her photo series “Lideresas” (“Female Leaders”), Spanish photographer and architect Ana Amado switches male protagonists for women in iconic photographs.
Photographer Anne Hollowday captures the beauty of the sea, and the seafaring life, in this evocative photo series.
Many feel the distorted images in Francesca Stern Woodman’s work comment on the way women are erased from and overlooked in society.
Foto Féminas, an online photography platform, is helping to promote the works of Latin American and Caribbean photographers.
Photographer Aneta Bartos talks about her new series, “Family Portrait,” and why art should always make us uncomfortable.
Gillian Zinser’s photography series “Slow Down With Me” shows the people and places in America that the 2016 election coverage overlooked.
A practitioner of “straight photography,” Berenice Abbott never altered her subjects or scene, and in doing so captured more than 300 photographs of New York City as it evolved from 1929 to 1938.
Linda McCartney, a photographer since the mid-1960s and mother of Mary McCartney, was the first woman to photograph a cover of Rolling Stone.
I came to Oaxaca to study light and left with a new appreciation of not only how light dictates art, but how it shapes our day to day.
For AWT contributing photographer Tatum Mangus, traveling is a lifestyle that complements her art.