World champion ballroom dancer Yulia Zagoruychenko shares insights on her career in dance and how she sees it evolving.
Dusan Tynek’s “Middlegame” goes beyond the artistic to shed light on some of the political and gender tensions we’re currently facing.
Tolstoy’s iconic classic “Anna Karenina” sheds light on current issues related to gender and politics.
For women artists around the country, creativity isn’t just a tool for self-expression—it’s also a way to combat stress and empower others.
Kinesis Project founder Melissa Riker’s goal is to get dance off the stages and onto the streets, helping female choreographers and dancers along the way.
Though ballroom dancers are rarely found without their partners, we stole Latin dance champion Yulia Zagoruychenko away for a couple of hours of rare undivided attention in a tiny midtown Manhattan dance studio.
The first female African American dancer in the American Ballet Theatre, Misty Copeland broke ballet barriers, both racial and body-related.
In this installment of our regular team feature, we chat with Associate Editor Allison Geller about working with AWT, poetry and her love of dance. How did you get involved with AWT?…
Staying Uncomfortable: Rosanne Haggerty was intent upon learning first hand about urban poverty after college and, in her words, “got hooked.”