We share the stories of women who are changing the world in business, society, culture, and tech, in order to entertain, elevate, and inspire.
Kako Ueda shares the research that underpins her new work “Tori Tori Tori,” and the influences that have tied into her time constructing with paper.
Clare Gemima spoke with photographer Bethany Jacobson about her new show at EV Gallery.
Writer Micaela Brinsley contends with artists, their history, and exploring art through their own gaze.
Jodi Hays does not only stay close to her family but keeps vigorously involved with her art community.
Maliza Kiasuwa’ new series of paper-based collages highlights forms that represent faces and masks—freed from the weight of any intention.
Bing’s chat AI weighs in on AI-generated art in the style of famous artists.
We asked two popular AI-powered text tools on the market, Bing Chat by Microsoft and GPT-4 by OpenAI, about the future of fine art artists.
Spanning nearly 50 years, Celia Paul’s ethereal work offers rich areas for exploration.
Painter Emily Weiner hand-builds frames for each painting, promoting structure from ornamentation to purpose.
From creating plaster bandage impressions of her own body to incorporating medical devices, Nicki Cherry’s pieces delve into the depths of pain and healing.
Process-oriented artist Adia Millett explores themes of identity, history, and interconnectivity.
Despite showing a roster of mostly female artists and not focusing specifically on gender, gallerist Monya Rowe can’t wait for the day when showing more women than men is not unusual.
In “Site Lines,” open through May 12 at The Shirley Project Space in Brooklyn, Wren continues to captivate viewers, transporting them to a world of sensory wonder.
Chinatown’s Leila Greiche gallery presented Kate Wallace’s 11 new oil paintings in “the curve that warms.”
Womanhood and Women’s Rights Panel Discussion—October 21, 2020 at 6–7:30 PM—led by sociology professor Ginetta Candelario.
Kako Ueda shares the research that underpins her new work “Tori Tori Tori,” and the influences that have tied into her time constructing with paper.
Clare Gemima spoke with photographer Bethany Jacobson about her new show at EV Gallery.
Writer Micaela Brinsley contends with artists, their history, and exploring art through their own gaze.
Jodi Hays does not only stay close to her family but keeps vigorously involved with her art community.
Maliza Kiasuwa’ new series of paper-based collages highlights forms that represent faces and masks—freed from the weight of any intention.
Bing’s chat AI weighs in on AI-generated art in the style of famous artists.
We asked two popular AI-powered text tools on the market, Bing Chat by Microsoft and GPT-4 by OpenAI, about the future of fine art artists.
Spanning nearly 50 years, Celia Paul’s ethereal work offers rich areas for exploration.
Painter Emily Weiner hand-builds frames for each painting, promoting structure from ornamentation to purpose.
From creating plaster bandage impressions of her own body to incorporating medical devices, Nicki Cherry’s pieces delve into the depths of pain and healing.
Process-oriented artist Adia Millett explores themes of identity, history, and interconnectivity.
Despite showing a roster of mostly female artists and not focusing specifically on gender, gallerist Monya Rowe can’t wait for the day when showing more women than men is not unusual.
In “Site Lines,” open through May 12 at The Shirley Project Space in Brooklyn, Wren continues to captivate viewers, transporting them to a world of sensory wonder.
Chinatown’s Leila Greiche gallery presented Kate Wallace’s 11 new oil paintings in “the curve that warms.”
