Signs

Barbara Kruger: The Context of Text

Micaela Brinsley
Flowers

Hayley Youngs Paints the Divine Weirdness of Nature

The AWT Editors
Soul Flowers

Channeling Peace: Aleksandra Ionowa’s Esoteric Art

Alexia Marmara
Expression

Helen Frankenthaler: On Art and the Politics of Emancipation

Micaela Brinsley
Endurance

Tanya Aguiñiga’s “Weighted” Confronts the Politics of the Border Wall

The AWT Editors
Ceramics

3D Models of Memory: Lauren Shapiro’s “Pastiche” at Vizcaya

The AWT Editors
Healing

Laurie Victor Kay Is Done with Perfection

The AWT Editors
Resilience

In Her New Exhibition, Ana Tiscornia Centers the Cactus

Teresa Brock Moneo
Poetry

Helen Adam and the Grue: Collage, Rhyme, and the Occult Imagination

Alexia Marmara
Aging

Méret Oppenheim: Fame and the Myth of Aging

Micaela Brinsley
Body

Michelle Alexander’s Work Asks What It Means to Participate

The AWT Editors
Dance

Las Danzas: Five Dancers, One Collective Vision

The AWT Editors
Lost & Found

Johanna Beyer and Q Lazzarus: Women Erased, Women Reclaimed

Alexia Marmara
Performance Art

Blakelee Pieroni reclaims the pin-up girl through digital activism and live performance

The AWT Editors
Art Space

How Francesca Popescu Ife is reimagining art exhibitions in luxury spaces

The AWT Editors
Surrealism

Maruja Mallo and Her Fight Against the World Order

Micaela Brinsley
Kinetic Sculptures

Maayan Sophia Weisstub: The weight of memory and the levity of humor

The AWT Editors
Memory

“Best Laid Plans” and beyond: Whit Harris shows the contradictions of creation

Lydia Nobles
Fiber Art

Natale Adgnot: Exploring fallibility through thread, thermoplastic, and bird idioms

The AWT Editors
Identity

Yuge Zhou: Uncovering forgotten stories of Chinese immigrants

The AWT Editors

A Women’s Thing

A Women’s Thing