Joan Didion, who had long resisted being the subject of a documentary, granted her relatives use of a host of unseen material.

Joan Didion, who had long resisted being the subject of a documentary, granted her relatives use of a host of unseen material.
In her photo series “Monankim,” Nigerian photographer Jenevieve Aken captures the entry into womanhood as experienced through the women of the Bakor people.
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