Painter Emily Weiner hand-builds frames for each painting, promoting structure from ornamentation to purpose.

Painter Emily Weiner hand-builds frames for each painting, promoting structure from ornamentation to purpose.
Chinatown’s Leila Greiche gallery presented Kate Wallace’s 11 new oil paintings in “the curve that warms.”
Ellen Berkenblit has spent more than 30 years breaking down conceptual walls with her paintings.
Intermedia artist Ewa Doroszenko’s practice is a graphic showcase of blending classic photography with digital manipulation and traditional painting.
Andrea Bartine Caldarise’s paintings set out to tell a story. Open compositions filled with tension allow the viewer to blend in their own narrative.
Painter Natasha Wright is not interested in conventional ideas surrounding beauty—her work seeks to present women in a strong and powerful way.
Artist Alyssa McClenaghan uses materials typically found in construction to examine concepts of labor, femininity, and gender.
Mel Reese’s work is built on a visual lexicon of abstract forms that simplify her own understanding of the world’s complexities.
Art historian Yassana Croizat-Glazer shares insights into the relationship between food and art in the work of female artists.
Figurative painter Sam Rueter lets women present their story the way they want it to be seen.
For most, the name Georgia O’Keeffe summons images of the bright floral close-ups for which the artist is best known. While those paintings were central to O’Keeffe’s rise in the American art world in the 1920s and 1930s, they make up a surprisingly small percentage of her life’s work.
Artist Dale Appleman, mother of actress and photographer Gillian Zinser, on the value of solitude in creative work and how things have changed for female artists between her generation and her daughter’s.
Kimia Ferdowsi Kline’s curatorial career began when she was sitting at the front desk at the Wythe Hotel. It was her first job in New York—no gallery would hire her, she explains.…
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