“There is no search for identity in my work. I know that identity doesn’t exist. There are only infinite layers of me. If I peel them back, like the skin of an onion, there will be nothing underneath.” —Kimiko Yoshida
Kimiko Yoshida’s quasi-monochrome self-portraits have constituted her signature works since 2001. The conceptual protocol is always the same: same setting, same subject, same lighting, same framing. Thus, the same face is repeatedly portrayed but is never identical to itself, changing more with each repetition. Currently, Yoshida is using her own photographs to make Rorschach paintings, using matte archival pigment prints on canvas. The allusion to Rorschach introduces immaterial otherness, moving what was purely representational towards abstraction. Yoshida’s work is informed by her self-imposed “exile” from Japan to France. She told ArtDaily in an interview: “I fled Japan to escape an arranged marriage, the servitude of women, social discipline, the burden of submission to the group.” Yoshida has since worked in photography, video, sculpture, painting and glassmaking in France and Italy. This artwork feature originally appeared in the Madness issue.
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