Exhibitions

Vienna Design

The Women Who Made the Wiener Werkstätte Modern

by The AWT Editors

Indigenous Art

At the Brooklyn Museum, Hopi Kachina Dolls Through the Eyes of Girls and Women

by The AWT Editors

Visionary Art

Messages From the Other Side: Two Exhibitions by Laura Whitcomb in Los Angeles

by Alexia Marmara

LéAna Clifton on Light, Motion, and Time

by The AWT Editors

Roxanne Wolanczyk on Aging Without Disappearing

by Lydia Nobles

Sculptures, Spirits, and the Field of Life With Del Kathryn Barton

by The AWT Editors

Body

When the Body Becomes Armour: soft weapons Challenges the Gaze

by Ryan Castle & Candela Cubria

Framed Lives: Patty Horing and the Psychology of Portraiture

by E.H. Murray

Endurance

Tanya Aguiñiga’s “Weighted” Confronts the Politics of the Border Wall

by The AWT Editors

Resilience

In Her New Exhibition, Ana Tiscornia Centers the Cactus

by Teresa Brock Moneo

Body

Michelle Alexander’s Work Asks What It Means to Participate

by The AWT Editors

Art Space

How Francesca Popescu Ife is reimagining art exhibitions in luxury spaces

by The AWT Editors

Memory

“Best Laid Plans” and beyond: Whit Harris shows the contradictions of creation

by Lydia Nobles

Body

Pol Morton’s solo exhibition shifts views on illness

by Teresa Brock Moneo

Inside Laura Krifka’s “Carousel”: Exploring Desire, Femininity, and Power

by The AWT Editors

Objectification

Clever and Chilling, Betty Tompkins’s “Just a Pretty Face” Topples the Patriarchy Like a Piece of Cake

by Annie Lyall Slaughter

Nell Slaughter’s Paper Collages Capture Her and Her Father’s New York City

by Clare Gemima

Erotic-Lite and Unapologetic: The Provocative Works of Elena Redmond

by Clare Gemima

Memory

Isabel Quintanilla’s Window into Contemporary Spanish Realism

by Teresa Brock Moneo

Memory

A Meditation on Memory: Rebecca Wu’s Intimate Debut in “Blue Murmur”

by Clare Gemima

Healing Through Fiber: A Global Exhibition of Renewal and the Artists Tell Us Why to Visit

by The AWT Editors

Dreams

Inside the Dreams of Se Young Yim: An Artist’s Exploration of Nocturnal Journaling

by Clare Gemima

Textures

Angelina Gualdoni: The alchemist of modern painting

by The AWT Editors

Bridging Textiles and Memories: Ophelia Arc Unravels Her Artistic Journey with Nakai Falcón

by Nakai Falcón

Sculptural Painting

Inside Jenny Wu’s “It Depends”: A Continuation of Creative Exploration

by The AWT Editors

Connection

Buttons, beads, and Buddhism: How Ran Hwang’s large-scale work invites New Yorkers to reflect and connect

by Morgan Everhart

The Art of Advocacy: How Tracey Tawhiao Uses Exhibitions to Amplify Indigenous Voices

by Clare Gemima

Kunstraum

At the Intersection of Art and Knowledge: Christina Massey Curates “You Know What You Know”

by The AWT Editors

Transforming Spaces: Eiko Nishida’s Immersive Artistic Journey at Tutu Gallery

by Clare Gemima

Power Struggles

Who is worthy of care? Amber Robles-Gordon’s “Surely, she (he/we) is a little animal?”

by The AWT Editors

Transformation

“Devourer of Sunsets”: the collaborative journey of Carla Perez and Nakai Falcón

by Clare Gemima

Katherine Tzu-Lan Mann’s lush portals to another world

by The AWT Editors

Home

“Bridging Hearts: Uncovering Islam’s Harmony” now showing at EV Gallery

by Clare Gemima

Color canons: Brianna Bass’s “Scattering the Constant” is a conversation about space and time

by The AWT Editors

Constructing with paper: Kako Ueda on the making of “Tori Tori Tori” and the magic of symbols

by Clare Gemima

Homage to Green-Wood Cemetery—Bethany Jacobson’s photography examines nature and female solitude

by Clare Gemima

Southern Art

Cardboard collages with dye-saturated fabric—Jodi Hays’s work connects to her roots

by The AWT Editors

Exchange

Maliza Kiasuwa’s “Art as a weapon” pays tribute to a hybrid of cultural origins

by The AWT Editors

Sculptor Nicki Cherry uncovers personal experiences in “A Pound of Flesh”

by Clare Gemima

Gallerist Monya Rowe on showing strong voices and trusting your own eye

by The AWT Editors

Painter Kate Wallace’s small paintings depict fragmented snapshots of distance and memory

by Clare Gemima

Lydia Nobles’ “As I Sit Waiting” Amplifies the Conversation Around Abortion Rights

by The AWT Editors

Reproductive Rights Crisis

Antonia Wright’s Miami Solo Exhibition Lays Bare the Reproductive Rights Crisis

by The AWT Editors

Affordable Art Fair

Combining Punk Rock With Professional: Tiané Goines and Kathryn Godoy at AAF’s “Young Talent Exhibition”

by The AWT Editors

Your Map to This Weekend’s Bushwick Open Studios 2022

by Morgan Everhart

5 Exceptional Booths with Female Artists to See at The Armory Show 2022

by Morgan Everhart

Layers of Identity: Akiko Kotani’s Half-Century Contribution to Redefining Fiber Arts

by Rangsook Yoon

Andrea Bartine Caldarise Paints an Oculus for Old Paths and Imagined Moments

by The AWT Editors

Limitations

Wounds, Limitations, Yet Joy Nonetheless: Recent Works by Mally Khorasantchi

by Rangsook Yoon

Abstract Landscape Artist Rachael Wren Balances the Ordered and the Random

by The AWT Editors

Immigration and Identity: The Works of Bovey Lee and Katrina Bello

by Rangsook Yoon

Essay by Agathe Snow: “Just to Be Sure and Absolutely Certain”

by The AWT Editors

Fiber Artist Poppy DeltaDawn’s Work Examines the Transitioning of Bodies

by The AWT Editors

Art Community

Alyssa McClenaghan’s Latest Work Explores Radiators and the Human Body

by The AWT Editors

Art Community

Painter Mel Reese Makes Art for Those Who Revel in the Quiet Beauties

by The AWT Editors

6 Exceptional Female Artists to See at Armory Week 2021

by Morgan Everhart

Mixed-Media Artist Claudia Santiso Enables Travel Through Distant Lands

by Morgan Everhart

Nicole Havekost’s Monumental Sculptures Celebrate the Female Body in a Powerful Way

by Morgan Everhart

Five Female Art Shows to See in May 2021

by Morgan Everhart

Music Artist Madeleine Cocolas Takes Her Emotional Response to Artworks and Turns It Into Audio

by Morgan Everhart

Open Now: Online Art Show “OFF CANVAS”

by The AWT Editors

Oct 10: Open House with Jennifer Caviola at Pegasus Gallery, Brooklyn

by The AWT Editors

AWT’s First Viewing Room Is Live

by The AWT Editors

ARTIST × CURATOR

Mother Boat: A Collective Artist Response to Global Pollution

by Dr. Luca Parolari

ARTIST × CURATOR

Anna Pietrzak’s Exhibition “Before Shadows” Sets the Tone at The Place Gallery in DUMBO

by Katie Hector

Young, Gifted and Black: Largest Public Showing in NYC

by The AWT Editors

DEC 21 EVENT: Shimmer Secrets at Humble Bloom’s Winter Solstice

by The AWT Editors

Suzy Kellems Dominik Asserts the Role of the Woman Artist and Protagonist

by Rosie Hecht

Meeting Inspiring East Village Artists at Painting Space 122

by Morgan Everhart

Feminist Artist Judy Chicago Confronts Aging and Death

by Irene Huhulea

How Cell Phones Hamper Our Ability to Appreciate Art Exhibitions

by Isabel Sullivan

Photo Essay "Life After Life in Prison" by Sara Bennett

by The AWT Editors

Creativity

Art Curator Anna Hugo Explores Unconventional Exhibition Formats

by Georgette Maniatis

<label>Event</label> SXRVXVE Art Showcase: Jan 23–27

by The AWT Editors

Calling for Artists: “Ulysses + Women” Summer Program

by The AWT Editors

New Georgia O'Keeffe Exhibition Presents Her Life as Art

by Katie McDonough

#WorldRefugeeDay at the UN: The Faces of "Refugees"

by Allison Geller

Three Questions With Kimia Ferdowsi Kline

by Allison Geller

Beth Hoeckel’s Collage of Feelings

by Allison Geller

Phantasmagoria: An All-Women’s Show by Gillian Zinser at IDIO

by Allison Geller

Frances F. Denny’s Virtuosic First Monograph

by Allison Geller

AWT at IDIO Gallery

by Allison Geller

A Look Back At The Original Queen Of The Selfie: “Frida Kahlo: Art, Garden, Life”

by Maria Carter

Where are the great women artists?: <em>She/Folk</em> at IDIO

by Irene Huhulea

Pathmakers Exhibit Highlights Postwar Women’s Art

by Serena Maszak

Undoing Disruption: The Innovator's Dilemma at MOMA PS1

by Allison Geller

One Woman Show: Yoko Ono’s MOMA Retrospective

by Kate Prengel

A Women’s Thing at Collectif Blanc

by Allison Geller

Vis-à-Vis: Gail Albert Halaban at Edwynn Houk Gallery

by The AWT Editors

Looking Through “The Needle’s Eye”

by Julia Gronnevet

'Pheromone Hotbox' and the Instagrammable Nude

by Allison Geller